2 SOURCES AND SOURCES OF ANCIENT Aesthetic Concepts 21 Metaphysics of Aesthetic

Modern culture has lost the integrity of the image of the world. His vision has broken up into fragments, localized in the direction of specific human needs: the world has been seen in its usefulness for humans, and not in the objective certainty of its existence. Such an understanding leads to inadequacy of attitude to reality, harms not only the natural world, but also to human relations and the inner world of man. She calls to look at the world only pragmatically.

Humanity was formed as a kind of intelligent life, creating objectivity - its images symbolized its qualitative difference from other natural species. Supernatural - spiritual phenomena, are symbols of the metaphysical, spiritual essence of man as a species. Humanity itself was formed in the process of creating such phenomena, sensually given, born by imagination. and practical skills and abilities. The process of the spiritual self-formation of humanity, carried out in the forms of the objectification of the spirit in the matter of nature, moved t simplest, primitive representations and their embodiment into images (the beginning of the formation of a rational man) to steadily growing skills, complication of figurativeness, the growth of its symbolic workload Outside this ability of symbolization - objectification of the spirit in the matter of forming and objectifying its image .

The mastery of the world and its own nature was carried out through the objectification of the spirit into images, there is distancing from oneself, \ "bringing out \" embodied in the material of the formation, and therefore, sensually and intellectually visible, they appear to be the common spiritual heritage of humanity - a source of improvement (at least in the potency) of each subject of vitality, the comprehension and experience of their expedient vitality within oneself has the spirit of complete character, since the very objectivity of what is created concentrates the universal spiritual experience This is the experience of indifference, which opens with qualitative certainty in the forms of vitality given to him by the idomist, the ideal images of objects of indifference - animals, man, natural forces and beneath. They appear as symbols of the relationship of man with the world and their qualities clearly reveal the level of perfection and complete relationship In other words: the integrity of the worldview, worldview and world relations is reflected in artistic phenomena, being a real evidence of the indifference, integrity of the relationship in the world. to svitu

Mythological ideas about the world, religious consciousness, moral ideas and experience of relations in their natural manifestations, precisely as the humanity of relationships, become a reality provided they are given a sensual difference, the nature of which is aesthetic. The symbols of faith in mythology and religion receive real vitality provided that form; images nourish the feelings and consciousness of believers Mythological imagery comprehends the universe as a sphere of human vitality: human relations with natural forces, relations within tribal communities, the world of \ "supernatural \" forces. experience of a person's relationship with the world svomom.

The artistic and imaginative way of realizing the spiritual experience of relations with the world is evidenced by its content and character, which means that the need to constantly hold objects, are defined as not indifferent, Zdob being their ideal life in images. The way of their existence is called sensual-figurative. "restoration \" of humankind's relations with them both in phylogenesis (for the human race) and in the ontogenic with (for an individual). Thus, the aesthetic is a universal form of consolidating experience, the attitude of a person to the world, the universal source of power for the human spirit.

Ideal objectivity - poly-functional It unites ideal functions (satisfies specific spiritual needs), serves as a practical (in ideal forms) mastery of the real world and with its aesthetic and qualities forms the harmony of the spiritual structures of humans.

The history of aesthetics makes it possible to identify a holistic image of time: its originality in specific historical periods depending on the range of problems that it explored at a particular stage of spiritual development of people. Therefore, the history of aesthetics is a necessary component of aesthetic knowledge, which helps to keep track of it as a history of creative skills deployment. and spiritual ties with the world that appear in the aesthetic self.